Bushi Matsumura and the Boxer Rebellion

Bushi Matsumura Portrait Drawing on Left, and AI rendition from https://deep-image.ai/ on Right
Bushi Matsumura Portrait Drawing on Left, and AI rendition from https://deep-image.ai/ on Right

“Recently, Ankō briefed us on the Boxer Rebellion in China, an uprising instigated by the Society of Righteous and Harmonious Fists … [who] were anti-foreign, anti-imperialist, anti-Christian, and ultra-violent. … the boxers believed an Eight Trigrams Society ritual … endowed them with spiritual protection, making them invulnerable to modern weapons. Hearing this, Sensei coughed out one of his rare laughs, startling the hell out of the two of us. Even Ankō, who had faced off samurai, pirates, a battalion of U.S. soldiers, local gangs, and his fair share of annoying bureaucrats was unnerved.”

– Colin Wee, Excerpt from “The Lost Scrolls of Ryūkyū” (Unpublished Manuscript 2025)

Historical fiction allows an author great liberty when working interpersonal relationships and exploring internal struggles which are both key in bringing a person to life. In saying this, a certain amount of effort has gone into “The Lost Scrolls of Ryūkyū” to present the history and people with care and fidelity.

There are two instances the book departs from this, and I’d like to talk about the one shared in the above excerpt. While I won’t give away too much, this is a scene between the legendary Matusumura Sōkon, Itosu Ankō, and Asato Ankō.

My eventual hope, of course, is a reader would pick up this book, get invested in the characters and their arcs, attempt independent research on the subject, and then discover the events and situations I have portrayed are indeed factual. Or, some would say, “real.”

When you drill into Matsumura’s backstory, however, you find his birth and death are wildly different dependent on the source you use. For instance, Wikipedia states Matsumura passes in 1899, which is the same year the Boxer Rebellion starts. Other sources list his passing in 1896 or 1901.

The Boxer Rebellion https://en.wikipedia.org/wiki/Boxer_Rebellion as explained in the excerpt was a violent uprising against what they saw was an increase in foreign invaders and collonialists in China. While the situation was explosive and complex, these sentiments mirrored sentiments of pre-Meiji era Japan. Elements of the Boxer Rebellion and the “mystical power” the boxers believed to have been granted by the Eight Trigrams Society ritual are featured in Jet Li’s Once Upon a Time in China movies (watch the first clip to the end, then see how their mudras fail them after getting a kick from Wong Fei Hong in the second clip 0:37).

Matsumura may have had an inkling of the foment happening in China leading up to the Boxer Rebellion. Up to his death, Ryūkyū Shimpo, the island’s newspaper, would have been in operation for 6+ years. The newspaper would have had experience by then covering the First Sino-Japanese war, the anti-Japanese sentiment, and the complex fractionated politics of Ryūkyū’s bid for independance.

Why I couldn’t resist bringing Matsumura and the Boxer Rebellion together was the huge contrast between the legendary Bushi Matsumura, his predilection for risk analysis, pragmatic combat, stategic preparation, and obsession with martial effectiveness, and the “Boxer fighters, [who were] convinced they were invulnerable to foreign weapons.”

In modern parlance, Bushi Matsumura would better be labelled as a RBSD or Reality Based Self Defense practitioner rather than a “Traditional Karate Master.” The face presented in the portrait above and the AI rendition on its right shows it all: a person who has spent a lifetime being the security advisor to the Ryūkyū Kingdom would be laser-focused on what works, avoiding any fantasy of being invulnerable to the weapons of the day.

We know this because Matsumura travelled extensively to acquire the skills and to refine knowledge that would make him a more formidable adversary. This is irrespective of Ryūkyū having been disarmed by their Satsuma overlords. Side note: for history buffs, Matsumura travelled to Foochow in 1860, and would have been a stone’s throw from the real Wong Fei Hong, who was the medical officer for the Black Flag Army in Guangzhou at the time.

So while facts may have been stretched, I felt the need to unfold the story this way to focus on the truths important to these masters. Readers may be interested to look into Matsumura’s makimono to understand the “true martial way” he described and the pitfalls he wanted all practitioners to avoid. These are relevant now as a warning against wishful thinking in martial arts as they were when they were written in 1882.


The above is a behind-the-scenes look at Colin’s latest historical fiction novel titled “The Lost Scrolls of Ryūkyū.” Stay tuned for further updates.

慈恩 Jion Temple Sound Kata

There’s something satisfying about peeling back the layers of a kata—tracing its roots, understanding why it evolved the way it did, and ultimately, figuring out what it’s trying to teach us. But it’s even better when you see how it all fits into the bigger picture.

Jion is one such kata. It’s a name that immediately conjures a certain kind of reverence—a sense of dignity, calmness, and restraint. But why? Where does it fit into our history?

If we go back to the years following the Ryūkyū Disposition, we find ourselves in a period of transformation. The old ways weren’t just under scrutiny—they were at risk of being lost altogether. The martial arts we had once trained in secret were now stepping into the public eye, and Itosu was the one leading the charge.

By the time Karate entered the Okinawan school system in 1901, Ankō had already been working on something new. Something scalable. Something that could be taught en masse without losing the essence of our training. It was during this time that the Pinan series was born, a structured set of forms designed to introduce students to the fundamentals in a way that could be replicated and standardized.

Jion was developed around this same time. Not a battlefield kata like some of the older ones, but one that embodied a shift in thinking—a kata designed not just for combat but for teaching control, poise, and an understanding of when not to fight.

Ankō himself had once explained it best:
“Jion doesn’t feel like a battlefield kata because it’s not meant to be. Not every fight starts with fists swinging. Some of the more dangerous conflicts I’ve been in were fought with words and gestures. Jion wasn’t about going for the win at all costs. It was about positioning, and choosing when—not if—you need to fight.”

This kata wasn’t simply a holdover from a bygone era—it was a message in a bottle, sealed with every lesson Ankō had fought to preserve.

The Shift from Tōde to Karate

This change didn’t sit well with everyone. Those who had trained in the old way, the way of Tōde, saw the modifications and scoffed. They thought the new curriculum was a dilution, a softening of what had once been fierce and raw.

This wasn’t about changing for the sake of change. It was about survival—not just of techniques, but of the culture itself. Karate couldn’t remain locked behind closed doors, taught in secret to a select few. It had to adapt, to become something that could outlast us.

Ankō understood this. When he asked Asato to document the names, addresses, and abilities of Okinawa’s martial artists, it wasn’t just about preserving the past—it was about securing the future. A future where the martial arts weren’t just practiced, but passed on.

That’s why Jion matters. Not just as a kata, but as a philosophy.

Jion, the Spirit of Karate, and JDK USA in Schenectady NY

JDK’s Schenectady seminar 2024 was nothing short of electric—a fusion of sweat, skill, and strategy that brought the JDK Method to life. To everyone who participated, thank you. Your commitment, curiosity, and intensity turned this event into something truly special.

This seminar highlight both Bassai Dai and Jion, but wasn’t just about techniques—it was about training for the inevitable. It was about refining not just how we move, but why we move the way we do. For more information see joongdokwan.com.

Here are some key takeaways from the weekend:

🔹 Beyond Technique: Anticipating the Opposition
JDK isn’t about collecting fancy techniques—it’s about preparing for the fight that’s coming. We train for opposition, contingencies, and workarounds. A technique is only useful if it accounts for resistance.

🔹 Unveiling the Hidden Layers of Tradition
Kata isn’t just choreography—it’s a tactical playbook. We dissected, tested, and pressure-checked movements to ensure they hold up under realistic conditions. This isn’t about abandoning tradition; it’s about making it functionally relevant in the modern world.

🔹 Shield or Springboard? Using the Enemy as a Tool
Sometimes, the attacker hands you an advantage—you just have to know how to take it. We explored how to redirect momentum, using an opponent’s own force as either a shield or a springboard to control the fight, create space, or set up a decisive counter.

🔹 Ground Force: Kinetic Chaining for Devastating Power
Striking isn’t about isolated limbs—it’s about harnessing the whole body. We trained to generate force from the ground up, connecting movements efficiently to maximize power. Imagine striking not just with your hand, but with the weight of the entire planet behind you.

This seminar wasn’t just about refining skills—it was about rethinking the way we approach martial arts. To everyone who attended, you now carry these lessons forward. Train hard, stay sharp, and keep pushing the boundaries of what you know.

See you at the next one!


The above is a behind-the-scenes look at Colin’s latest historical fiction novel titled “The Lost Scrolls of Ryūkyū.” Stay tuned for further updates. While you wait, perhaps check out the article “In Okinawa, an independence movement finds an unlikely ally.

Ryūkyū Awamori

Early Undiscovered Likenesses of Matsumura Sokon and Itosu Yasutsune
Lithograph of a photo taken by Commodore Matthew Perry of Ryukyuan Regent Sho Taimu, possibly flanked by Matsumura Sokon (left) and Itosu Ankō (right)

Shinzato Shuzo, established in 1846, is the oldest existing awamori distillery in Okinawa, and it’s known for its traditional techniques and the quality of its products, which includes the Ryukyu Classic and Shinzato 7 awamori.

At the time of its inception, Matsumura Sōkon aka Bushi Matsumura would have served the Shō government for just over a decade, and a young Ankō Itosu would have only begun training under Matsumura. It would take another four year until he became Secretary of Ryūkyū Kingdom.

Shinzato Shuzo indicated that when Commodore Matthew Perry and his black ships stopped in Ryūkyū in 1853, there were only three distilleries on the island sanctioned by the government.

Perry “landed two cannons and two companies of U.S. Marines … Along with 50 naval officers and two brass bands” at Naha port before he literally invaded Shuri Castle (Clayton, Shotokan’s Secret p77).

This means the awamori Perry may have enjoyed could very well have been from their distillery. If so, the lithograph on the left, taken by the Commodore, may show some of their awamori being served in the drinking cup in the lower left hand corner of the frame. For more information see The story of Commodore Matthew C. Perry’s trip to Shuri Castle in 1853.

Shinzato Shuzo is characterized by a deep richness and smell of awamori on the nose. On the palate, it is fruity and has refreshing drinkability. With aging, sweetness and umami are enhanced, resulting in a smooth and profound flavor.

Ryukyu Awamori Bottle from Shinzato Shuzo
Ryūkyū Awamori Shinzato Classic

For those interested in trying what the Ryukyu Royals, Matsumura Sokon, Itosu Ankō and Asato Ankō were drinking at the time, click on the image to the right. For those of you who are interested to find out more of this culture see The essence of awamori.

Shinzato Shuzo reel on their Awamori, Commodore Matthew Perry, and their manufacturing process: https://www.instagram.com/reel/DGp3XmjzuQw/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA==


The above is behind-the-scenes research used for Colin’s latest historical fiction novel titled “The Lost Scrolls of Ryūkyū.” Stay tuned for further updates. While you wait, check out article “At the United Nations, Indigenous Ryukyuans say it’s time for U.S. military to leave Okinawa

Itosu deals with Drunk and Disorderly Patron

“Indeed, Itosu was so well trained that his entire body seemed to be invulnerable. Once, as he was about to enter a restaurant in Naha’s amusement center, a sturdy young man attacked him from the rear, aiming a hearty blow at his side. But the latter, without even turning, hardened the muscle of his stomach so that the blow glanced off his the right wrist of his assailant. Still without turning his head, he calmly dragged the man inside the restaurant.

Funakoshi Gichin
(Funakoshi, Karate-do: my way of life: Funakoshi Gichin, 1975, p15)

Picture of Anko as an old man
Anko Itosu in a group photo

Az said he had heard of this incident but wasn’t there that evening.

You’d be surprised how some strong, headstrong fellows behave. They feel the need to test themselves against someone well-known—sometimes as a drunken rite of passage, sometimes out of sheer arrogance. And let’s not forget the occasional grudge-holder who thought it was his duty to sneer at Shurite “parlor karate” or the new “empty hand shamisen” hacks.

Every time he heard that shamisen comparison he felt like hitting them with a real shamisen.

Anyway, this musclehead wasn’t looking for a fair fight, nor did he have the guts to come at Ankō from the front. He rushed in blindly, hoping to prove a point or end things quickly.

As for Ankō’s response? Exactly what we’d expect. We were always aware of our surroundings, even when relaxed. If the young man was making a scene, had poor footwork, or pulled back his arm before the strike, that would’ve been all the warning Ankō needed. He would brace his body, demonstrate the phenomenal conditioning he had acquired, and have the blow glance off without so much as a flinch.

Most men would have turned and retaliated. Ankō? He knew how to manage the optics. He calmly took control using soft power, dragged the attacker inside, and sat him down to sober him up. That’s the kind of man he was—no ego, and without the need for posturing. He knew he had nothing to prove. And by treating the fool with a little kindness, he landed the hardest hit of all.


The above is a behind-the-scenes look at Colin’s latest historical fiction novel titled “The Lost Scrolls of Ryūkyū.” Stay tuned for further updates. If however, you’re here for ideas on what to do if you’re faced with a drunk and disorderly person, please see WA Mental Health Commission: Managing an intoxicated person.